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Faced with the lack of fresh produce in a South Carolina food desert, Germaine Jenkins dedicated ten years of her life to creating an urban farm on an empty city lot. Rooted embarks on an intimate journey alongside Germaine, a Black mother-of-two, resolute in her quest to own the land she farms — a critical first step in establishing stability for her community and sowing the seeds of generational wealth for her family. The specter of sharecropping’s legacy looms over Germaine as she
navigates Southern government, well-intentioned nonprofits, and the realities of becoming a community leader. When the demands of working both the soil and the politicians exact their toll upon her health, Germaine must look inward and recalibrate her personal notion of triumph. Rooted celebrates the power of one woman’s unyielding commitment to food justice, and illuminates the path towards societal—and personal— metamorphosis.
Germaine was born in Hartsville, South Carolina and raised in Cleveland, Ohio. She moved back to her native South Carolina at 25-years-old in pursuit of liberation for her family through food. After graduating with honors from Johnson & Wales University, Germaine focused on work that addressed her lived experience with food apartheid. In 2014, Germaine co-founded Fresh Future Farm on a vacant city lot with $600 from a family tax refund. The last 10 years were dedicated to leading a team of fellow North Charleston budding leaders to create abundance in a disinvested neighborhood. Jenkins has been featured in Essence, Food & Wine, New York Times, and is now the subject of a full-length documentary depicting Fresh Future Farm’s work to build food sovereignty through community care. Germaine’s movement allies include Kennae Miller, Urban Growers Collective, Unearthing Joy, Fountain Heights Farms, National Black Food & Justice Alliance, Loiter East Cleveland, Black Church Food Security Network, and Black Lives Matter of Greater NY.
Bridget Besaw is a New England Emmy-nominated filmmaker and founder of Seedlight Pictures. She enjoyed a career as an award-winning photographer, capturing stories for Smithsonian, Newsweek, Time, Forbes, and National Geographic, among others. As a Nikon Ambassador and Leica sponsored photographer, Bridget created large scale documentary projects for The Nature Conservancy in all corners of the globe. Her first independent film project culminated in the Growing Local series (2015), and screened to acclaim at festivals nationwide. Her short film Seeding a Dream (2015), won several audience choice awards and was a finalist for the DCEFF Eric Moe Sustainability Award. Her two shorts, Guided and The Nature of Maps, both toured the 2016-2017 festival circuits winning audience choice awards. Bridget’s feature doc in progress The Mountain & the Magic City, was supported by the LEF Foundation and invited to the Points North Institute Fellowship and the PNI/TFI Retreat.
reating a documentary about food injustice in North Charleston, South Carolina is what brought us together, but the fight for justice across the country is what keeps us together. We have spent the last six years documenting the reality of a community negatively impacted by discrimination and injustices dating back to enslavement and compounded by the politics of racism and misogynoir that still exists today. The creation of the ROOTED film brought together a Black and white women in a journey of listening, trust, mutual respect, growth and empowerment to call attention to everyday injustices our society tolerates and to open the minds and hearts of those pushed to the margins, and the well-intentioned ‘shoves’ from those who benefit from and uplift systemic harm. The racial enlightenment after George Floyd’s lynching continue to reflect inequitable interracial relationships, both on the street and in philanthropic circles. True allies expose white America’s blind spots. Believing Black womxn, creators, activists, and stories is essential for justice and healing, and the ROOTED team is dedicated to amplifying these voices. Years into the project, reflecting deeply on privilege and who should be telling which stories, we have pressed on together—with open hearts and humble curiosity—to nurture one of many Black American food sovereignty stories. Though the work is far from done, as Black activist and soul healer Micky Scott Bey Jones said, “We have the right to start somewhere and continue to grow.”
Named one of “25 Screenwriters to Watch” by Austin Film Festival, Par Parekh is an Indian American filmmaker working in both nonfiction and narrative film. His debut documentary feature Sister Úna Lived A Good Death airs on PBS’ Independent Lens in February 2024 and can soon be found on PBS Passport and Amazon Prime. Six years in the making, the film was supported by ITVS and won the inaugural PBS/Firelight William Greaves Production Fund grant. Par was co-writer and producer of Glory at Sea, winner of the Wholphin Best Short Film Award at SXSW and named one of The Greatest Films of All Time by Everything Everywhere All At Once director Daniel Scheinert for British Film Institute / Sight and Sound. Par’s filmmaking has taken him all over the world, from Haitian disaster zones and New Orleans second lines to Himalayan peaks and Icelandic archaeological digs. His comedic short The Happy premiered at SeriesFest and has been described by Film Daily as “a good laugh for anyone who’s lost,” with “honest and personal charm.” Commercial work includes spots for Beyoncé, Willie Nelson, Bergdorf Goodman, and Neiman Marcus.
Ann Rose is a renaissance producer and editor with a background in development, production and post-production. She has built her career bridging the gaps between cinematic documentary programs and compelling unscripted television, between journalistic reportage and branded entertainment, and between traditional and evolving content platforms. She has spent 10+ years at television networks with strong brand identity and prestige–Sundance TV and BBC America, and has worked extensively in the independent film and television communities as well as in the commercial world. She pursues daring stories and embraces a craft-driven, collaborative production model.
Janah Elise is a Nuyorican documentary director and editor from the Bronx, NY. Her editorial work has premiered at Cannes, Berlinale, Sundance, SXSW, Tribeca and New York film festivals, among others. She was a 2019 Karen Schmeer Diversity in the Edit Room Fellow, a 2020 IF/Then North Shorts grant recipient and was recognized by DOC NYC as a 40 Under 40 talent. Her directorial debut, Melting Snow, was nominated for best Experimental Short at BlackStar Film Festival and premiered on the Criterion Collection in April 2022.
Lauren Waring Douglas began her professional career as a production coordinator for South Carolina Educational Television (SCETV). Some of her projects include credits with Sony Pictures, Universal Studios, A&E Television – Biography Network, and ABC Studios. She is the founder of the SC Media Collective, a social support group for South Carolina’s Black industry professionals, and is also the co-founder of the AfroSouth Film Festival, which celebrates the contributions of Black and Southern culture to film. Her latest contributions can be seen on the award-winning documentary After Sherman. Lauren seeks to give voice to the oft-silenced Gullah Geechee culture of South Carolina.
Katie Mathews is a director, writer, & producer. Her feature documentary “Roleplay” is premiering in competition at SXSW. Her short “Dark Moon” (2022) is a Vimeo Staff Pick and she previously produced feature documentary “Mossville” (2019) which screened nationally on PBS. She is a recipient of the Princess Grace Award for Film.
Jason Pollard’s introduction to film began at an early age through his parents, Sam and Glenda. As a result of their influence, Jason studied film at New York University. In 2007, he co-edited PETE SEEGER: THE POWER OF SONG, which premiered at Tribeca Film Festival. He also co-edited SING YOUR SONG, a documentary about the life of singer/activist Harry Belafonte which premiered at the 2011 Sundance Film Festival. In 2012, he edited the PBS documentary SLAVERY BY ANOTHER NAME, which premiered at the 2012 Sundance Film Festival. Jason has received a degree in Bachelors in Fine Arts in Film & Television and a Masters in Cinema Studies, both from NYU’s Tisch School of the Arts.
Prolific composer and singer/songwriter Kathryn Bostic is known for her work on film, TV and live theater. She is a recipient of many fellowships and awards including the prestigious Sundance Time Warner Fellowship, Sundance Fellowship for Feature Film Scoring, Sundance/Skywalker Documentary Film Scoring and the BMI Conducting Fellowship. Kathryn was the Vice President of the Alliance for Women Film Composers from 2017-2019. She is a member of the Academy of Motion Picture Arts & Sciences and Television Academy of Arts and Sciences. Her credits include Sundance premiered RITA MORENA: JUST A GIRL WHO DECIDED TO GO FOR IT (2021), TONI MORRISON: THE PIECES I AM (2019), CLEMENCY (2019), CAMERAPERSON (2016), and DEAR WHITE PEOPLE (2014), MIDDLE OF NOWHERE (2012).
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